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I think a lot of people — thinking, for instance, of my parents, who are in their early 70’s — took a big detour from listening to pop music qua pop music and settled in Joni Mitchell world.

You could say I have everything to do with Timo Andres because we are both over six feet tall and love capers.

I think a lot of people just have more access to the music that their peers are making. Also: one week ago I literally flew to Las Vegas and saw the Britney Spears residency show. One of Muhly’s inspirations was to have her shadowed by four look-alike singers (“We all just casually call them the Marnettes,” he said) who represent her fragmented personality.
I literally have no idea what you’re talking about. After studying at Columbia and Juilliard in New York, he worked for several years for composer Philip Glass, taking film scores Glass had written out in longhand and “playing them” into a computer for a demo to send on to the cutting room.And count Gelb among his biggest boosters. I’ve vowed to speak my mind more in times of Calmneƒƒe and not just when it gets stressful and I blurt everything out and feel awful afterwards.I can’t with you and this movement shit again. They will know the answer to this as it relates to money, numbers, and the raw data. But in a month if somebody rang up and said, ‘you want to do this thing,’ I’d probably say yes in two seconds.”On the computer screen were pages from one of his latest compositions, an eight-minute choral piece commissioned by Britain’s The Tallis Scholars.

Nico Muhly scores … THAT HAVING BEEN SAID I will throw you a bone to say that this isn’t new.

Time, money, and space are complicated things, but unless u, as an artist, are totally self-producing, it is sage, I think, to take advantage of the wild luxury of the fact that somebody else is buying dinner. But seriously call them. So the label shortcut can sometimes be useful. A lot of times a commission is really open ended (“write 20 minutes for orchestra”) but other times it’s really specific (“We’re doing a concert where all the texts are about sleep, or sleeping, and you have five minutes.”)  I like these restrictions. I also don’t know that this surge you reference is something that exists in what I like to call Reality.

As with any commission he gets, he said, “It’s not like I’m going ‘Woo-hoo!’ It’s like, ‘Oh, my God, I’m going to have to figure out how to make this thing that honors the request.’”Like “Two Boys,” ″Marnie” premiered at the English National Opera before it came to the Met, and Muhly said the piece benefited from the chance to make revisions.The final performance on Saturday afternoon will be broadcast live in HD to movie theaters worldwide, and Muhly will be there as he has been for all the performances, though not sitting in the auditorium.“One of the first things we did after London was add an aria for Marnie at the top of the second act,” he said.

Which fields?

To this day when someone asks him what he does “I say, ‘I write music’ rather than ‘I am a composer,’ which is so weird. Elvis Costello!?Sure? Etude. It wasn’t that way when he started out, of course. Over the last 18 months, I’ve been actively trying to be more assertive. After studying at Columbia and Juilliard in New York, he worked for several years for composer Philip Glass, taking film scores Glass had written out in longhand and “playing them” into a computer for a demo to send on to the cutting room.And count Gelb among his biggest boosters. “I did that for a long time until I was able to support myself on my own work.”“Marnie” is Muhly’s third opera, following “Two Boys” and before that “Dark Sisters,” about Mormon wives, that was premiered by the Gotham Chamber Opera in 2011.“I’ve done a Nativity Cantata which premieres in just over a month in Minneapolis,” he said. In a program note, Muhly may have suggested the reason for this: He deliberately has Marnie sing “in a very disjointed way” in the first act, then grow more lyrical in Act 2 as she comes to terms with her past.Muhly wrote his first composition when he was 11 growing up in Rhode Island. Browse Nico Muhly by Type. I’m sure it’s from some deep-seated self-loathing or something, but I still haven’t quite gotten there.”“I watch from the back,” he said in an interview.